The Church in Its Place
The Lady of the 1917 apparitions asked at the Cova da Iria that a chapel be built in her honour. The small Chapel of the Apparitions answered that request first, in 1919. The Basilica of Our Lady of the Rosary was conceived in the years after the apparitions as a larger church for pilgrim Masses, set at the eastern head of the new esplanade. The bishop of Leiria laid the foundation stone on 13 May 1928, the eleventh anniversary of the first apparition. The basilica was consecrated by Cardinal Manuel Goncalves Cerejeira, Patriarch of Lisbon, on 7 October 1953, the feast of Our Lady of the Rosary, and was raised to the dignity of a minor basilica by Pope Pius XII on 11 November 1954. Jacinta Marto's body was transferred here in 1951 and Francisco's in 1952, and the tomb of Sister Lucia was added in 2017, twelve years after her death at the Carmel of Coimbra. The basilica was the principal church of the sanctuary until the Basilica of the Most Holy Trinity, at the western end of the esplanade, was completed in 2007.
The basilica was designed in a neoclassical style by the Dutch architect Gerardus Samuel van Krieken and continued after his death by Joao Antunes. A single bell tower rises 65 metres above the facade, topped by a great bronze crown and a crystal cross that is lit at night. A statue of the Immaculate Heart of Mary stands above the entrance, with statues of the four great Doctors of the Western Church and other patrons of Portugal arranged in niches across the facade. The interior holds a single long nave with side aisles, finished in marble and lined with fifteen altars dedicated to the joyful, sorrowful, and glorious mysteries of the Rosary. The long, curved colonnade that flanks the basilica on both sides was added in stages between 1953 and 1958 and encloses the esplanade on the eastern half of the Cova da Iria.
The basilica is meant to be the liturgical and devotional counterpart of the small Chapel of the Apparitions across the esplanade. Where the chapel is open and exposed at the place of the apparitions, the basilica is enclosed and ordered toward Mass, confession, and the tombs. The two together hold the rhythm of Fatima: the place where the message was given, and the place where the witnesses are buried and the Mass is offered.